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By the time she released her fourth album, Up!, in 2002, Twain was one of country music’s biggest-selling artists. While the likes of “You’re Still the One” and “Man! I Feel Like a Woman!” dominated dance floors and jukeboxes, “Forever and for Always” and other ballads showcased her warm contralto voice and became indispensable on wedding playlists. On Twain’s albums The Woman In Me (1995) and Come On Over (1997), her producer (and future husband) applied the skills he learned making albums with AC/DC and Def Leppard to ensure that Twain’s shiny country-pop confections had just as much impact as any arena-ready rocker. After not gaining much headway during her early stint as a rock performer under her original name of Eilleen Twain, or in her first years after becoming Shania and signing to Mercury Nashville, she made a fortuitous alliance with Robert John “Mutt” Lange. That she made it look so easy is a testament to the tenacity long shown by the performer who was born in 1965 and raised in the Canadian small town of Timmins, Ontario. Before Shania Twain’s rise in the mid-’90s, no other singer had combined two roles that, at the time, seemed entirely disparate: rootin’, tootin’ country star and glamorous pop diva.